Heaven

Spring or 2019 - Wildflowers, snow, and winter that won’t go away!

A few years ago, I experienced a drought of clouds for what seemed like an eternity.  Every time I went on a photo expedition it was nothing but blue skies. It was frustrating as I love clouds in my landscape images. 

Now the cloud “drought” was not all bad as any day in the Eastern Sierra is a good day; with or without clouds.  The lack of clouds forced me to experiment with new compositions and subjects which made me a better photographer.  In the end I still wanted clouds.

That is were we are heading to!

I am here to say with the Spring of 2109 my cloud drought is over.  The last couple of meanderings has been off the charts.  There were clouds, and I mean awesome clouds, everywhere you looked.  They weren’t high clouds, so they didn’t go orange and red at sunrise and sunset, but it didn’t matter.  Their size, complexity, brutishness made them totally photogenic.  The main key to getting great images was to just get out there, and stay out there, capturing the clouds as they morphed throughout the day.  All the while I was in heaven. 

The road and clouds inviting us to explore!

I am doing research on a photography class I am going to teach at the Mono Arts Council in the fall.  The class will not focus technology but on using personal vision, style, and composition to create “remarkable” photographs.  During this cloudfest I started to apply some of the things that were newly learned from my research..  It was difficult to do things differently. 

I may be biased but it made a huge positive difference in the impact of the images I was able to create. I will have to wait to see if the peer reviews from my fellow photographers agree with my self-assessment.

In any case sit back and enjoy my vision of heaven on earth, even though it is extremely cloudy.

Storms over the Eastern Sierra. Lots of snow still on Mammoth!

Symmetry in Nature

and on and on and on! Truly Heaven on Earth!

FYI, as I mentioned above I will be teaching a Photography Composition class at the Mono Arts Gallery on September 28th. Then on the 29th will facilitate a field trip to put what you learn into practice. You can sign up here. Would love to see you there!

Feel free to comment and share!

My Path to Better Wildflower Images

2019 - Flowers from here to infinity

This is my second post this year touching on how to take great wildflower images.  Why two posts?

My forte’ is landscape pictures, mostly on a grand vista scale.  I have had less success in taking pictures of flowers that are good enough to print and hang on my wall. Like a million other folks, this year’s abundance of wildflowers has got me hooked on photographing flowers.  I am now on a quest to take the best wildflower image I ever have. This post is a combination of my experience so far this season combined with the research I have done to help my images get better. I thought it would be good to share before the 2019 season comes to an end.  Here goes.

Environment

There biggest environmental factor that can improve your image is taking the flowers under the best light.  Most people want to view wildflowers on a bright sunny day.  This is probably one of the worst environments for taking wildflower pictures.  The light is strong causing harsh contrast, saturated color tones, etc.  You want to actually use soft diffused light. Like the light from an overcast day, or at sunrise/sunset because the light is softer and warmer.  This diffused light gives the wildflower a much more pleasing look.  As a bonus to taking pictures early or late in the day tends to mean less wind to move the flowers around.

I love this composition but the harsh sun makes it unusable

It was an overcast day when this was taken and the diffused light makes these poppies much more appealing

Speaking of wind. If it is windy, sometimes the best approach is use it as an element in your image. Slow your shutter speed setting down and use the contrast of the moving flowers against the sharp background in the distance to add interest in your image.

Subject Matter

What flowers you choose to take a picture of is very important.  If you are taking close ups, you want a prime specimen, not one where pedals are decaying, eaten by bugs, etc.  Remember you are probably in a huge field of flowers, you can and should be selective.

I love the shape of this Poppy but you can tell from the leaves it has seen better days

This flower is in perfect condition and is the type of flower you should look for

Composition

Memorable images have the ability to tell a story that evokes emotion in the viewer.  You already know the story and why it evokes emotion within you.  Folks who will look at your image later weren’t there. They didn’t experience the same emotions you did while you were there.  Your image has to tell your story in order to evoke the emotions in others who were not there.  When you take the image, work to create a composition that will tell your story.  It could be you caught a butterfly resting on a flower or lots of other people around you enjoying the flowers.

In this one image I tell the viewer the whole story of my visit. That the flowers were all around, it was a cloudy day, it was easily accessible, close to the highway, and you would have enjoyed being there.

The people in the image tell the story of how we were exploring the beautiful countryside

Even in this colorful chaos your eye tends to end up looking at that one unopened poppy in the middle. When you create a focal point that the eyes can focus on your viewer will spend more time exploring the rest of the image .

From my experience and research I believe there are three go to composition approaches that will help make your wildflowers ones to remember:

1.       Shoot Low to the Ground.  Shooting from a standing position at wildflowers close to you is almost guaranteed to give you a mediocre image.  The same goes true for taking pictures of dogs.  Have you ever seen a dog picture that was taken from a standing up position that you really liked?  Probably not.  It is always when the photographer gets down to the dog’s level that creates a memorable image.

Taking this image from a higher perspective dilutes the impact of the flowers.

Shooting lower, at the flower’s level, increases the impact of the image dramatically

2.       Shooting parallel to the plain of the flower.  If you’re taking a close-up of a flower, what is in and out of focus is a big deal.  This is usually referred to as depth of field.  If you shoot parallel to the plain of the flower you minimize the amount of distance or depth of field that must be in focus.  Let me explain. 

If you take a picture of a flower from the side, to keep both the front and back of the flower in focus you need to keep a greater amount of distance in focus .  Now take a picture of the flower from directly overhead.  The front and back are at the same distance from your camera, so you need less depth of field to keep everything in focus.

Notice the front of the flower is out of focus

If you shoot parallel to the plain of the flower the amount of distance to keep in focus in considerably less

3.       Use the flowers as a foreground element.  How many times have you seen an image of this huge field of gorgeous wildflowers and not been moved by it?  As humans we like structure. Our eyes want to focus on something, anything.  Fields of wildflowers are pure chaos.  There is not a single subject for our eyes to focus on, so our minds don’t process the image in a way that creates an emotion. 

One way to create emotion is to use the wildflowers as the foreground element but have a strong background element as well.  Have the wildflowers at the bottom of the frame but have a hill, lake, mountain, or something in the top background element. If you are successful at creating a link between the two you will naturally create emotion in your viewer as they look at your image.  FYI, a cloudless blue sky does not count as a strong background element. In fact, it dilutes the viewers interest factor.

Using the flowers in the foreground against the canyon’s super bloom creates a focal point for the viewer’s eyes to focus on, yet tells the story that there was color all around you. It creates an emotional impact

The rock and the flowers in the foreground anchor the image and give a sense of proportion that evoke emotion from viewing the image.

Equipment

As always, the best rule is use what equipment you have at the moment.  One hundred percent of the time, having a picture is better than no picture at all.  So use what you have available. I went with my wife on a wildflower tour and one of the images she got on her iPhone was better than 90% of what I took with my Canon DSLR.  The reality is however, bringing the right equipment with you can have a huge impact on the quality of your image. Here are some examples:

Camera with Controls

We talked about the importance of selecting what is and is not in focus. A camera that gives you control over aperture and shutter speeds gives you way more flexibility to capture the image you want.

Camera with a Zoom

As a landscape photographer my favorite lens is a wide angle.  I tend to leave a 16-35 lens on my camera all the time.  It was counter-intuitive to me that many photographers said their favorite lens for shooting wildflowers was a long telephoto lens. Like 300-400 long lens.  I tried it and they were right.  For isolating a specific flower with a small depth of field you cannot be a telephoto lens.  Either having multiple lenses or having a good zoom lens will give you a huge amount of flexibility and control to create the image you want.

The zoom lens lets you blur the background of the rocks behind this flower. If the rock in the background was in focus its strong contrast pattern would have been very distracting

Tripod

Earlier in the post I said you need to be picky about the flower you chose to take pictures of.  It is as equally important to take time to compose the image of that flower. To do that ,you need to be able to hold the camera at the right spot/angle while you adjust your focus or wait for the wind to die down, etc.  That is the job of a tripod.

I was laying on the trail and had got the perfect focus and composition but had to wait several minutes for the wind to die down long enough for the flower to stop moving. No way could I have done this without a tripod.

Knee Pads

Remember some of the best picture angles of wildflowers are down low.  That means a lot of kneeling. The reason the wildflowers look so good at the location you are shooting at is because there is water there.  Knee pads makes it much more comfortable to kneel and keep your clothes from getting dirty or wet. 

Diffuser

You are stuck taking pictures of wildflowers mid-day. There is hope.  A diffuser is a filter that softens the harsh sunlight passing through it..  You can buy a diffuser or very cheaply make your own.

Conclusion

If you are in the hunt for that “perfect” image of a wildflower hopefully these suggestions on light, composition, and equipment will help you succeed! I would love to hear from you if these tips or others not mentioned helped you on your quest!

Wish you luck in your hunt for the perfect wildflower image

March in Like a Lion ( and leave the same way!)

March roars in like a lion
So fierce,
The wind so cold,
It seems to pierce.

The month rolls on
And Spring draws near,
And March goes out
Like a lamb so dear

Lori Hill

March is a transition from Winter to Spring - Reservoir on the Tejon Ranch

The theories on the origins for the saying “March in like a lion and leaves like a lamb” are multiple. Some are based on folklore describing the shift from winter to spring in the northern hemisphere. March is usually the month where winter shifts from winter to spring. So it usually starts off cold and stormy and ends calmer and warmer. Usually is the key word as there is nothing totally predictable during the transition between seasons. Which makes them so wonderful.

Another theory is based on the stars in the beginning of March Leo (the Lion) on the horizon at sunset but is replaced with Aires (the Ram) on the western horizon.

The most interesting insight was a Christian interpretation. It follows the thought that Jesus came into the world as a Lamb and will return as a Lion - in weather language means having a false spring.

Anyways for me, this March has been a “Lion” all month long. Its been one for the history books! Normally, March is kind of boring. Its cold, it rains, you stay inside. This March is different, I cannot remember one in which I experienced such a diversity of photographic experiences. It started off with a wonderful hike on the Tejon Ranch.

A storm had just broken up the night before and its remnants were hanging around the mountains. The result was this beautiful sunny day blessed with wonderful clouds that kept changing the light and shadows on the ground. A friend on the hike quipped “you could stand in one spot for the day and the scene would change a thousand times.”

The light kept changing creating these beautiful scenes

Beautiful Day

Beauty as far as the eye can see!

Then during my once a week work commute between LA and San Diego, Waze directed me out to the I-15. Well, from the I-15 there is no missing , the now infamous, Walker Canyon “super-bloom.” Luckily, I stopped to enjoy it weeks before the massive crowds made it a zoo.

Walker Canyon and I-15

The Hills are alive

Poppies prove that if small things join together they can make a big difference

Mountains, Clouds, and Spring Flowers what more could you ask for?

Even with spring wildflowers starting to bloom the March “Lion” was not finished yet. We took a trip up to the Eastern Sierra to check out how much snow was left. Oh my. We tend to be summer/hiking folks and don’t get up to the Sierra much in the winter months. 2019 has been an exceptional snow year and based on the snow still left on the ground and the fact it is still snowing the “Lamb” part of March missed its flight and won’t get into town till April.

First Light on Snow Covered Sierra

Closed for Winter! ::-)

All Roads Lead to Snow

Finally, I took a trek out to Death Valley to see the military pilots practice low level flying in a canyon nicknamed Star Wars Canyon (or called by the Pilots “the Jedi-transition.”) Talk about coming in like a Lion! The best description I can give about this canyon, other than “Oh sh*t”, it is the only place I know that you point your camera lens down to take a picture of a jet going by at several hundred miles an hour.

You can read the names of the pilots on the side of the plane!

Reminds me of a scene at the end of the “Dragnet” movie

I would call it tree top flying except there are no trees…

Hats off to these pilots they have a lot of “huevos” and I am glad I am on their side

While March still has few days left it will be snowing in Mammoth so I am not sure we will see the spring “Lamb” until April.

With a March like I had I cannot wait to see what April brings!

If you enjoyed this please share. Comments are always appreciated.

The Wildflowers are Coming, the Wildflowers are Coming; are You Prepared?

It’s February and raining and snowing a lot.  The skiers in the Eastern Sierra are in heaven, but what are the non-skiers to do with our time? Prepare for the wildflower season of course.  The flowers are already popping up here and there already.  I wanted to provide a list resources to help you plan your wildflower hunting season.  We will cover:

•   Where to look for wildflowers and websites that track the wildflower blooms

• How to know what you are looking at.  Yes, there is an app for that and I found a great website.

•   Tips on how to take great wildflower pictures

Forgive the length of the post but it gives you a lot of info.

Locations

Tripsavvy has a great list.  I suggest you check the website out because they also have resources by site.  Here is an overview of their list and excerpts of their descriptions:

• Anza-Borrego Desert: January through March - located south of Palm Springs, Anza-Borrego State Park often puts on the best desert wildflower show in California. 

• Death Valley: February-April - when they show up, Death Valley's wildflower displays are eye-popping because they occur in a landscape so devoid of color the rest of the year.

• North Table Mountain: February-April - in a good year, North Table Mountain is decked out in more than 100 kinds of wildflowers.

• Valley of the Oaks: March-April - west of King City that is little changed since Spanish colonial days. The land has never been cultivated, making it a great place for spring wildflowers.

• Carrizo Plain: March-April - the wildflower displays that follow a rainy winter there are some of the state's best. During that time, docents lead tours to see them.

• Antelope Valley: February-May - in a good year, the carpets of orange-hued California Poppies…

• Hite Cove Trail: March-May - most visitors speed right past the Hite Cove Trail on their way to Yosemite, but the number of cars parked near a seemingly insignificant trailhead is a clue. In fact, the Hite Cove Trail is one of the most spectacular places in the Sierras in late spring. Some say it's the best wildflower hike in California.

• Eastern Sierras: May-July - the iris blossom between late May and July, depending on elevation They start first around Bishop and bloom later near Mammoth Mountain.

Resources

Modern Hiker is a great site and it is not surprising it has a great page on wildflower resources.  Here is a summary of the resources they recommend:

• The Theodore Payne Foundation’s Wild Flower Hotline – this reader-submitted flower update covers most of Central and Southern California and is often a good place to start your search.

• DesertUSA’s Wildflower Reports – DesertUSA kicks off their wildflower reports in January, which gives people plenty of time to start planning their trips as well as researching early predictions on which areas look like they’re experiencing the right conditions for good blooms.

• What’s Blooming in the Santa Monica Mountains – This list focuses on the Santa Monica Mountains National Recreation Area. Here, the reports are divided into different parks and even specific trails within those parks. 

• Park Specific Sites – Many of the better-known wildflower viewing areas have their own park-specific reports, with varying degrees of regularity and specificity.

Finding Out What You’re Looking At:

There are smartphone apps that help you identify what you are looking at.  This page gives a review of several of them out there.

Desert USA has a great page that has pictures and descriptions of a ton of desert wildflowers

Photography Tips

Now that you know some good California locations and how to check how the blooms are doing. Here are some tips on how to take pictures that will wow your friends.

Fields and Flowers – There are two basic approaches to taking wildflowers. 

Use objects in the foreground and background to provides a sense of scale

Fields of Dreams - One approach is to take an image of the field.  With hundreds and possibly thousands of bright colored flowers make for an incredible scene.  To take these scenes over the top try placing something in the foreground of the image to give the viewer a sense of scale.  You can also build a layered composition. For example, you could have a tree in the foreground, wildflowers in the midsection, and a building way off in the distance.

See with the flower on the right how fast things get out of focus. On the left the camera was perfectly aligned with the plane of the flower and everything is in focus

Individual Superstar – Some of the most impactful images are of individual flowers.  First,  pick a good flower that has not been beaten up.  Second pay attention to the background. If you have an adjustable camera use an aperture setting to blur the background.  Your viewer’s eye will immediately concentrate on the part of the flower that is in focus.  Plan out what you want in focus. The front, center, or all the flower.  If you want all the flower in focus, make sure your camera is in parallel with the main plane of the flower.

Shutter Speed – Wildflowers are delicate, any amount of wind will begin to blow them around.  If you have an adjustable camera set your shutter speed to 200 or 400.  It is better to increase your ISO and get a slightly grainy but sharp image than one with no noise that is blurry.

Weather – It may be counter-intuitive, but an overcast day is probably better than a sunny day.  Sunny days create harsh shadows and blown out color.

Best Time of Day to Shoot – Early morning when the sunlight is low and there is no wind.  One thing to know some flowers don’t open until they get sunlight.

Equipment

Tripod – the flower is moving which means your camera shouldn’t be.

Telephoto Lens - the longer focal length will help you isolate a wildflower in front of a blurred background. It's important that your telephoto lens has a very short minimum focusing distance (at most 5 feet), so you can get close enough to flowers to fill the frame.

Use a telephoto to blur the back ground and put the focus on the flower

Remote Shutter Release – again the flowers are moving so your camera should not be moving.  Pushing the shutter release on the camera tends to move the camera.  Don’t have one, don’t worry.  Just set your camera’s delay timer to 2 or 10 seconds.

DSLR or Mirrorless Camera – Don’t mean to sound snooty but these types of cameras have more options, shutter, aperture, ISO, etc. that gives you more control making the image you want.  Don’t have this type of camera don’t worry go anyways.  It’s better to go and take pictures, with whatever you’ve got, than not going at all.

Happy hunting!